From the December 2020/January 2021 Issue
Romancing The Stone – Bedroom1
The Murano glass chandelier, which the homeowners purchased in Venice, was the starting point for the décor in the master bedroom. “It’s so elegant. I wanted to go a little […]
From the December 2020/January 2021 Issue
Romancing The Stone – Open living space
The homeowner wanted the addition to include “an open living space, because that allows for really nice gatherings. She chose the colors because “the rich earth and jewel tones create […]
From the December 2020/January 2021 Issue
Romancing The Stone – Kitchen
Meyer notes that the homeowner “gravitates toward industrial” elements in her home, as evidenced in the kitchen by the iron stair rail, the counter stools and the pendant lighting. The […]
From the December 2020/January 2021 Issue
Romancing The Stone – Exterior
The homeowner says the renovated residence “looks as if, first one house was built, then another house was built and the two were connected by a mostly glass breezeway. That […]
From the December 2020/January 2021 Issue
Romancing The Stone
In Califon, a 19th-century home gets a respectful revamp The Civil-War-Era dwelling charmed the homeowner at first sight. “I’ve always loved stone houses,” she says. “I just fell in love […]
From the June/July 2019 Issue
Architecture/Build: Parental Consent – Master Bathroom
Clearances and reach ranges are important elements of age-in-place design, Gross says. The master bathroom is spacious with wide walking paths and clearly defined surfaces.
From the June/July 2019 Issue
Architecture/Build: Parental Consent – Master Bathroom
Rich wood cabinetry brings warmth to the gray tones of the master bathroom.
From the June/July 2019 Issue
Architecture/Build: Parental Consent – Kitchen
The kitchen is outfitted in an assortment of natural materials, including a variety of hard and soft woods and stones.
From the June/July 2019 Issue
Architecture/Build: Parental Consent – Entry
Gross used quarter-sawn white oak for horizontal surfaces and mahogany for vertical surfaces. “They play off each other in terms of tonality,” he says.